在对drag的obsessive下终于看了这片挺认真的被科普了很多误解原来她们的mimic并不带有讽刺意味呀明显Pose取材于本片古镇凶灵是对于她们的生活进行揣测与延伸30多年后的现在being step into mainstream and get acceptance, drag变成并非再以blend in为目标的艺术形式一种statementCovering my part of been femme and fab, go sis I gotchu.
In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.